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Reading Tacitus’ Germania

11 Thursday Apr 2019

Posted by artaud23 in Arts, Germania, History, Latin Classics, Religion and Spirituality

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Ancient History, Ancient Religion, Germania, Hercules, Human Sacrifice, Isis, Mercury, Suebi, Tacitus

On The Gods and Their Rites as Practiced Among the Germans, part I

Of the gods, they cherish Mercury the most, to whom on certain days they are accustomed by divine decree to offer sacrifices, human and otherwise. Hercules and Mars they lawfully appease with animals. And part of the Suebi make sacrifices to Isis: by what cause and source this foreign rite I have learned little, except that its own sigil, in style the form of a ship, proves it a religion brought hence from afar.

Deorum maxime Mercurium colunt, cui certis diebus humanis quo que hostiis litare fas habent. Herculem ac Martem concessis animalibus placant. pars Sueborum et Isidi sacrificat: unde cause et origo peregrino sacro parum comperi nisi quod signum ipsum in modum liburnae figuratum docet advectam religionem.

Tacitus, On the Origin and Disposition of the Germans, IX,1-2.

Mercury
via The Evening Times, UK

One aspect of ancient ethnographies is that they rarely fail to note occurrences of human sacrifice among their subjects. A second feature, at lest among Roman commentators, was the supposition that all the gods of foreign peoples were actually just different aspects of gods that the Romans already knew. But, from other details in Tacitus’ descriptions, it does not seem that Germanic cultic practice was much at all like that of the Romans. Rather, the Germans seem to have believed in worshiping their gods in the natural environment not in constructed temples or sanctuaries, sanctifying groves and copses of trees for ritual purpose. This aspect of German religion is one of the key points that Tacitus makes in his study, and appears in later sections of this same chapter.

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Reading Tacitus’ Germania

10 Wednesday Apr 2019

Posted by artaud23 in Arts, Germania, History, Latin Classics

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Ancient History, Germania, night, Tacitus, wolf

Night and Day

Not of numbered days like we, but they count by night. Thus they fix it. Thus they swear it: night is seen to lead the day.

nec dierum numerum, ut nos, sed noctium computant. sic constituunt, sic condicunt: nox ducere diem videtur.

Tacitus, On the Origin and Disposition of the Germans, XI,2.

  • via Wolf Conservation Center

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Reading Tacitus’ Germania

10 Wednesday Apr 2019

Posted by artaud23 in Arts, Germania, History, Latin Classics

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Ancient History, Germania, Tacitus

I have been digging into Tacitus since the beginning of the year, but my work has only really just begun to accelerate and maintain a steady pace. I am uncertain if my interest in the ancient Germans is a function of the paucity of information in the literary record concerning them and their lives, or if it persists in spite of that sad state of affairs. I tend to incline to the latter supposition, since the importance of these peoples for the late history of the Roman Empire, and, of course, Europe as a whole, cannot be underestimated. Also, I think, it is the risk and tension between cultures — the German against the Roman — and the rough excitement of frontier culture, that makes the limes, the limit of Roman ‘civilization’, so interesting.

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Reading Tacitus’ Germania

10 Wednesday Apr 2019

Posted by artaud23 in Arts, Germania, History, Latin Classics

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Ancient History, Brunhilde, Germania, Tacitus, Wagner

“Wherefore, they deemed [their womenfolk] to be, in truth, something sacred and prescient, neither spurning their counsels nor disregarding their opinions.”

inesse quin etiam sanctum aliquid et providum putant, nec aut consilia earum aspernantur aut responsa neglegunt.

Tacitus, On the Origin and Disposition of the Germans, VIII,2.


  • Arthur Rackham, “Brunhilde, illustration from The Rhinegold and the Valkyrie by Richard Wagner, 1910” oil on Canvas.
    http://www.wikigallery.org/

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Kingdom of the Dead (Excerpt from Virgil)

17 Wednesday Mar 2010

Posted by artaud23 in Virgil

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Excerpts from the Aeneid of Virgil
translated by Robert Fagles


Virgil

Now carved out of the rocky flanks of Cumae
lies an enormous cavern pierced by a hundred tunnels,
a hundred mouths with as many voices rushing out,
the Sibyl’s rapt replies. They had just gained
the sacred sill when the virgin cries aloud:
“Now is the the time to ask your fate to speak!
The god, look, the god!”
               So she cries before
the enterance – suddenly all her features, all
her color changes, her braided hair flies loose
and her breast heaves, her heart bursts with frenzy,
she seems to rise in height, the ring of her voice no longer
human – the breath, the power of god comes closer, closer.
“Why so slow, Trojan Aeneas?” she shouts, “so slow
to pray, to swear your vows? Not until you do
will the great jaws of our spellbound house gape wide.”
And with that command the prophetess fell silent….

               “….But grant one prayer.
Since here, they say, are the gates of Death’s king
and the dark marsh where the Acheron comes flooding up,
please, allow me to go and see my beloved father,
meet him face-to-face.
Teach me the way, throw wide the sacred doors!….”

The Sybil of Cumae

              ..So he prayed,
grasping the alter while the Sibyl gave her answer:
“Born of the blood of gods, Anchises’ son,
man of Troy, the descent to the Underworld is easy.
Night and day the gates of shadowy Death stand open wide,
but to retrace your steps, to climb back to the upper air-
there the struggle, there the labor lies. Only a few,
loved by impartial Jove or born aloft to the sky
by their own fiery virtue – some sons of the gods
have made their way. The entire heartland here
is thick with woods, Cocytus glides around it,
coiling dense and dark.
But if such a wild desire seizes on you – twice
to sail the Stygian marsh, to see black Tartarus twice –
if you’re so eager to give yourself to this, this mad ordeal,
then hear what you must accomplish first.
              Hidden
deep in a shady tree there grows a golden bough,
its leaves and its hardy, sinewy stem all gold,
held sacred to Juno of the Dead, Porserpina.
The whole grove covers it over, dusky valleys
enfold it too, closing around it. No one
may pass below the secret places of the earth before
he plucks the fruit, the golden foliage of that tree.
As her beauty’s due, Proserpina decreed this bough
shall be offered up to her as her own hallowed gift.
When the first spray’s torn away, another takes its place,
gold too, the metal breaks into leaf again, all gold.
Lift up your eyes and search, and once you find it,
duly pluck it off with your hand. Freely, easily,
all by itself it comes away, if Fate calls you on.
If not, no strenght within you can overpower it,
no iron blade, however hard, can tear it off….”

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The Land of the Dead

12 Friday Mar 2010

Posted by artaud23 in Latin Classics, Literature, Religion and Spirituality

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Death on a Pale Horse – J.M.W. Turner

   Sooner or later the hero travels to the Land of the Dead, the shadow realm… seeking secret knowledge. What world is this of half light, and half truths, and half remembered things, where those who used to walk with us are now but phantoms of their former selves? Memories, I say. Not of the deceased alone, but of the departed, the unreachable ones, those who have passed away either in mind or in body or in spirit. And the only form they have now is that which the hero imparts to them by his rememberance.
   There can be no satisfaction gained here; the elixir will not be obtained. For when we question those who reside here, we merely question ourselves, our memory, the simulacrum of those who have passed far and strange away from us, and who are out of ear shot. And what can we tell ourselves about what those who are not here might think? Nothing… and what is more, when we speak with them (in our thoughts), we become as them… faded and wan and little more than a ghost of what we once were when life was all about. This is the meaning of the hero passing yonder. And what is the secret knowledge that he seeks? What balm? Just this, that he too is a ghost haunting someone else’s dark dream. It is the death wish, the desire to be remembered; but with that also, to be as faded as these pale reflections and less than alive.

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Maybe an old memory.

03 Wednesday Feb 2010

Posted by artaud23 in Arts, Literature

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   Only a year ago Mary’s brother Dennis died in our house, died dreadfully, of an infection of the thyroid that forced the juices of fear through him so that he was violent and terrified and fierce. His kindly Irish horse-face grew bestial. I helped to hold him down, to pacify and reassure him in his death-dreaming, and it went on for a week, before his lungs began to fill. I didn’t want Mary to see him die. She had never seen death, and this one, I knew, might wipe out her sweet memory of a kindly man who was her brother. Then, as I sat waiting by his bed, a monster swam up out of my dark water. I hated him. I wanted to kill him, to bite out his throat. My jaw muscles tightened and I think my lips fleered back like a wolf’s at the kill.
   When it was over, in panic guilt I confessed what I had felt to old Doc Peele, who signed the death certificate.
   “I don’t think it’s unusual,” he said. “I’ve seen it on people’s faces, but few admit it.”
   “But what causes it? I liked him.”
   “Maybe an old memory,” he said. “Maybe a return to the time of the pack when a sick or hurt member was a danger. Some animals and most fish tear down and eat a weakened brother.”
   “But I’m not an animal – or a fish.”
   “No, you’re not. And perhaps that’s why you find it foreign. But it’s there. It’s all there.”
   He’s a good man, Doc Peele, a tired old man. He’s birthed and buried us for fifty years.


from The Winter of our Discontent – John Steinbeck

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